Rotary Mod is a rotating speaker effect that simulates a Leslie cabinet. Just like the original sound derived from the uber-famous Hammond organ’s Leslie speaker cabinet, the plug-in produces a pulse-like vibrato effect depending on the speed of rotation. Rotary offers precise control to dial in the exact amount of movement you need. This classic, swirly effect has been used on countless hit records to drastically transform guitars, bass, synths and even vocals. Notably used by The Beatles, Beach Boys, The Band, Cream, and Pink Floyd, this iconic emulation brings that classic ’60s whirling modulation bliss into the 21st century on your laptop or the palm of your hand.

QVox is an inspirational sound effect featuring four voices of diatonic pitch shifting and delay. Mobile music enthusiasts can add rhythmic textures to guitars, morph drums into exciting new patterns, widen instruments, and create unique harmonies on vocals.

MicroPitch is a fine-resolution pitch shifter for subtle tone fattening, plus delays for dramatic slap back effects. MicroPitch is the latest incarnation of an iconic effect originated by Eventide in the 1970s. With each generation, Eventide has added refined, enhanced and built-on it's legendary predecessors.

MicroPitch can take you beyond the run-of-mill stereo spread effects of simple micropitch plugins. It goes above and beyond by allowing you to mix in detuned and delayed versions of your source, creating depth and dimensions not possible before. With its expanded controls you can achieve deep pitch dives, haunting echoes, and pristine chorusing effects.

Eventide Crystals combines twin reverse pitch shifters with reverse delays and reverb. This iconic H3000 Harmonizer® effect can be used to create out-of-this-world climbing and cascading pitched delays or to create unique sounding reverbs. It features two reverse granular delays that can be manipulated by length and pitch. Crystals excels at adding life to synths, guitar, and vocals making them sound huge and majestic. From sound design to other-worldly solos, Crystals will spark inspiration.

CrushStation is a versatile, best-in-class, stereo distortion platform for your Mac, PC or iPad/iPhone. Its controls can drive your tone from creamy saturation to a brutal sonic assault. But distortion is just the starting point. CrushStation brings multi-effects to the mix by adding a three-band EQ, Compression, Octave Mix and, Eventide’s unique take on failing hardware, the Sag control. Use the MIX Control to blend your dry signal with CrushStation to create parallel compression, distortion, and other creative effects.

Explore, touch, and transform sound with this unique interface for granular synthesis, a technique that involves the superposition of small fragments of sound, or grains, to create complex, evolving timbres and textures.

Borderlands emphasizes gestural interaction over knobs and sliders. Create, drag, and throw pulsing collections of grains over a landscape of audio files, or use the built-in accelerometer to sculpt sound with gravity.

apeMatrix is a unique AU/IAA routing tool that gives you total control over what you want to do and how you want to do it

A personal interpretation of the legendary Analog Synthesizer by Eugenio Giordani

Up to 2048 Spectral Delay Lines with feedback and up to 2048 Brick-wall filters

Advanced Cross-Synthesis Hybridizations with envelope preservation and phase-sync processing

Sophisticated Biquad/Cascade filters Equaliser

Official EMS VCS3 emulator The VCS3 was created in 1969 by Peter Zinovieff's EMS company

Multilevel Interactive Sound Synthesizer, a tribute to John Chowning's Frequency Modulation technique applied to audio synthesis

All time-domain varieties of granular synthesis: Grainlet, Trainlet, FM, time/pitch shifting, time/pitch jittering, Live Input manipulation etc...

Designed for asynchronous sound file granulation, a genuine granular playground able to generate a wide range of usual and not so usual effects

Multimorphic sound processor which contains a synth, a varispeed stereo sample player, 9 time domain effects, 6 spectral effects, 7 slots for external audio application, and nearly 200 LFOs that can modulate each parameter

Dual low-pass/high-pass 24/48 dB filter, with resonance and the exclusive Overlap parameter

Audio mangler, network of delay lines is continually granulated and modulated, producing a labyrinth of echoes

Feedback Delay Network (FDN) Reverb Effect, which can create nice reverberated ambiences, from small rooms to huge buildings

Reverberator with Glissandos simulating a room gradually changing its shape. It is an expanded the James McCartney 's algorithm