FabFilter Twin 2 is a powerful synthesizer plug-in with the best possible sound quality and an ultra-flexible drag-and-drop modulation system.

Mononoke is an unconventional 8 voice polyphonic, 2 part multitimbral synthesizer, designed to compose evolving soundscapes and musical textures.

The synthesizer engines (each of the two sections has its own independent engine) have relatively simple controls, which influence a complex system of many invisible, interconnected LFOs. You never ‘control’ Mononoke, but rather steer it in a certain direction. The result is a constantly evolving sonic entity, yet with a distinct signature sound (in other words: this is not your bread-and-butter general purpose synthesizer).

A different kind of drumsynth. Ruismaker Noir presents a hybrid approach between synthesized drums and rhythmic bass sounds – coming together in the fully integrated step sequencer. Throw in a nasty, dirty personality and you get something really new for the iOS platform.

Although Noir has a monophonic synthesis engine, the clever interplay with the sequencer and plethora of pitch/velocity modulation options can make it sound like many different sounds are playing, seamlessly blending into each other.

The freedom and versatility of a modular synth in a stylish mobile package. In typical West Coast fashion the available modules, such as complex oscillator, lowpass gate, FM, mathematical utilities and slope generator, are designed for exploration and experimentation.

Even if you’re not familiar with modulars, wavefolders or control voltages you can dive right in, because all modules are prewired; offering a powerful monosynth without using a single cable. Then whip out the virtual cables and start patching. Ripplemaker is designed for fun – big enough to lose yourself into, yet intuitive enough to not get lost.

Introducing Troublemaker: this is not a 303

Troublemaker sports a carefully crafted diode filter emulation and among the available oscillators are the typical raspy, nasal sawtooth and rubbery squarewave with its oddball shape and shifting pulsewidth. It also has the wow.

Ruismaker’s crazy twin-sister. Based on a clever FM synth model engineered to let you create a vast bandwidth of different sounds from scratch. From kicks and snares to alien sci-fi effects, growling bass sounds, zaps, blibs, chirps, wows, hits and hats. Easy to learn, fun to master.

Ruismaker FM makes for a great companion for Ruismaker (and shares its signature sound character), but also holds her own as a versatile drum synth. Create your own sounds, or use included presets as a starting point.

Ruismaker is a virtual analog drum synthesizer in the spirit of the iconic drum machines of the 20th century. No sampled sounds are used. Every single sound is fully synthesized using analog models, emulating electronic components – Introducing subtle differences in every hit; just like in the old days.

Kicks, snares, claps, toms, cowbells; each drum sound has its own independently modeled virtual circuit. Ruismaker has dozens of unique sound models, each one lovingly handcrafted to offer a signature character that can be personalized to match your tracks.

OB-Xd is based on the Oberheim OB-X. It attempts to recreate its sound and behavior, but as the original was very limited in some important ways a number of things were added or altered to the original design. OB-Xd was designed to sound as good and as rich as the original. It implements micro random detuning which is a big part of that sound.

A chaotic monosynth by Newfangled Audio. Pendulate uses a brand new oscillator design to produce sounds different from any other synth. It features a chaotic oscillator based on a double pendulum. What initially looks random actually contains underlying patterns of interconnectedness, constant feedback loops, repetition, self-similarity, fractals, and self-organization. When designing the Pendulate oscillator we took great care to bring out these underlying patterns. The result is an oscillator that can smoothly fade from a sine wave to total chaos, with an expanse of territory to explore in between.

Phosphor is a unique instrument plugin modeled on the alphaSyntauri, a vintage digital additive synth from the early 80s. The original alphaSyntauri required an Apple IIe to operate, but we’ve gone ahead and eliminated the middle-man so you can have this classic digital synth in your DAW of choice.

Version 3 once more modernizes the original's tried and tested feature set. Besides plenty under-the-hood improvements, it comes with a new coat of paint, expanded modulation options, MPE support, TUN-file support for non-equal-tempered tunings, and our brand new preset browser.

Continua is a virtual analog synth with a twist: a continuously morphable threesome of oscillators. With three interconnected controls defining the wave shape, Continua has a virtually limitless supply of waveforms, especially when you add cross modulation and noise in to the mix.
With two morphing state-variable filters (morph between LP, HP, BP and notch in 2-pole and 4-pole topologies), Continua has a broad palette of tone-shaping at its disposal, and is well suited for long, complex, evolving soundscapes.

Quanta is a full-featured ten-voice true stereo granular synthesizer, with up to a hundred 1000ms grains per voice, and full control over the grain state, with direct randomization and modulation of most parameters. Drag-and-drop a sample (WAV, AIFF, Ogg, or FLAC) on to the window and go to work.

Axon 2 is a drum synth driven by artificial intelligence. (Well, "intelligence" might be a strong word. Artificial something-or-other.) An experimental instrument, Axon uses a modified artificial neural network as a sequencer, and features seven FM-based percussion voices, that are really a single 18-operator FM voice.

Tuning Workbench Synth is a synthesizer which lets you experiment with virtual tunings in realtime, allowing you to edit mappings and tunings and hear a synthesizer change as you adjust individual notes.

A personal interpretation of the legendary Analog Synthesizer by Eugenio Giordani

Official EMS VCS3 emulator The VCS3 was created in 1969 by Peter Zinovieff's EMS company

Multilevel Interactive Sound Synthesizer, a tribute to John Chowning's Frequency Modulation technique applied to audio synthesis

All time-domain varieties of granular synthesis: Grainlet, Trainlet, FM, time/pitch shifting, time/pitch jittering, Live Input manipulation etc...

Versatile hybrid synthesizer with deep modulation possibilities